Raysse, Made in Japan, the Grande Odalisque, 1964 ,
Paris, Centre Pompidou, acrylic paint, glass, fly,
Photograph pasted on canvas, 130 x 97 cm
New Realism and Pop Art, Dada always present
In pursuing our journey through the breaks which was carrying the twentieth century, we continue to put into perspective the various movements in their concurrent appearance in their parentage or otherwise in their difference: Dada , Surrealism, New Realism, Pop Art:
"40 ° above Dada" and defined the collective singularity of the new realists, the critical initiator Pierre Restany, facing the Pop Art of the Atlantic economically supported by a network of galleries and collectors.
We will explore the progress made since the break with the academic, until the transformation of the relationship between spectator and object of contemplation, of derision to subvert and provocations through the diversion of real objects, paradoxical visions of a society of ready to eat (and decry proclaim!) , objects and staged development of personal mythologies.
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