Friday, March 30, 2007

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Viallat


Pierre Wat, a professor of art history at the University of Aix-Marseille give a lecture on Claude Viallat from his essay " Claude Viallat" Editions Hazan to Auditorium of the Musée Fabre, 39, boulevard Bonne Nouvelle. Montpellier (Esplanade). Free Admission

Wednesday, April 4, 2007
to 18 h 30

The conference will be accompanied by a slide show with a selection of paintings. Claude Viallat is currently on display (until 21 April) at Galerie Nadine Trintignan Montpellier St Gilhem, (we had announced at heading openings site is the 4th on the list, access to Complete info on the gallery website Helena Trintignan)

Viallat Claude was born in Nimes in 1936. He attended the Ecole des Beaux-Arts in Montpellier from 1955 to 1959 and the Ecole des Beaux-Arts in Paris in 1962-63.
founding member of the group support / surfaces he joined the criticism of traditional media by adopting from 1966 a radical stance on the canvas and painting released from the chassis, the repetition of a pattern according to a fingerprint-based method.

Saturday, March 24, 2007

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Session of Friday, March 30, 2007 Our friends

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Thursday, March 22, 2007

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Tuesday, March 27, 2007 from 19 am to 00
space Louis Feuillade / Abric in Lunel

for
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paintings and photographs
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with the participation Association 24 x 36. Exhibition from March 27 to April 1 - free entry. The opening is of course the opportunity to meet authors.

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Friday, March 23 meeting of the Session

Piet Mondrian
We continue studying the characteristics of the production of the first abstract painters of the early twentieth century that will explore the ways offered by the abandonment of reason to develop various radical research based on their theoretical and philosophical concepts.



".../.... I knew then that the objects specifically interfered with my painting ... "

Kandinsky. Perspectives on the past. 1913.

Announcement previous meeting

Friday, March 9, 2007

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Friday, March 16 The past reinvented

Towards abstraction

Frantisek Kupka
Disks of Newton. 1911-1912.
Oil on canvas. 49 x 65 cm.
National Art Museum modern. Paris.

We observed the emergence of a form of abstraction in Cezanne with his work on the mountain Sainte Victoire at the end of his life. Four artists will develop independently their own language of abstraction in the second decade of the twentieth century. Between 1910 and 1917, Wassily Kandinsky, Frantisek Kupka , Piet Mondrian, Kasimir Malevich and , all four fed spiritual concerns are the inventors of simultaneous abstraction and a painting will develop in line with their conception of world but also with cultural and scientific developments of their times. "Art is the child of his time" Kandinsky wrote one of the main theorists of abstraction. Music, but also the discoveries in the field of physics, the theory of relativity, work will influence the perception of artistic production and the evolution of art of the twentieth sciècle. Nourish this context the different inflections of abstract art, sometimes lyrical, geometric or supremacist.

Saturday, March 3, 2007

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The Romanesque

Xavier Barral i Altet give a lecture from his essay "Against Roman art?" in the auditorium of the Musée Fabre,

Thursday, March 8, 2007
to 18 h 30.

For a vision of the Middle Ages closer to everyday life, an exploration of the context in which spoke of Romanesque art. With the participation of Géraldine Mallet, lecturer in medieval art history at the University Paul Valery.

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on-line journal Paris-art.com , analyzes Andre Rouille, in its editorial of March 1, 2007, the poverty of reflection policies regarding the place of culture.

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Read the site La Tribune de l'Art , the new editorial referring to the agreement being signed, and which the Minister of Culture encourages the France for several years in the rental long duration of its major works of the Louvre and its other national museums.

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Session of Friday, March 9

Towards geometric shapes

The importance of Paul Cézanne for the development of modern art is universally recognized, even though his journey was slow and poorly understood by his entourage. A long and intense solo work led him to revolutionize the structure of space, construction of landscapes, characters and objects. Geometric forms, processing volumes and space will have a decisive impact on the evolution of art of the twentieth century. The changes will be especially noticeable in the research of the Parisian avant-garde of the early twentieth century, especially through Cubism (Pablo Picasso and Georges Braque ) we continue to explore the extension of the production meeting earlier.

Pablo Picasso. Bust of woman. (Study for Les Demoiselles d'Avignon). 1907. Oil on canvas. 66 x 59 cm. National Museum of Modern Art. Paris. © Picasso Administration